Abstract Environments

My art training began in 1976 when abstraction was all the rage. Printmaking, especially lithography, was the perfect medium for me to explore and manipulate the overt and subtle relationships that exist between form, colour, texture and movement within a visual framework.

Click on the thumbnails to see a larger image.

  • Protractor II (1987)
  • Untitled: State II (1985)
  • Untitled: State III (1985)
  • Untitled: State I
  • Tapestry: State I (1986)
  • Tapestry: State II (1986)
  • Tapestry: State III (1986)
  • Orchestration in Red (1986)
  • Stromatolites and Gastropods: State I (1986)
  • Stromatolites and Gastropods: State III (1986)
  • Protractor (1986)
  • In the Steppes (1986)
  • Transposition (1987)
  • Interactions (1987)
  • Sahel (1987)
  • Red Fan (1987)
  • Erosion (1987)
  • Oppression (1987)
  • Forest Light II (1988)
  • Foliage (1988)
  • Genesis (1988)
  • Monolith (1988)