}
Prints of Drawings by Hans Fear
presented by his family and
The B. C. Schizophrenia Society
at Langham Court Theatre (394-2142)
daily and throughout the run of the play
You¹re a Good Man, Charlie Brown
A special reception for the Hans Fear drawings
with showings of a short video tape of the artist
at the Theatre on Sunday, March 2 from 2 - 5 p. m.
Hans Fear was an artist of uncommon talent, a legend among the street people
and skaters. On city walls, Fear's spray-bomb paintings of cartoon-like
characters stood out amid the tags and giant lettering. He signed them with
the name Ghost - 'ghost of a dead cat', as he said. This is an artform I
won't presume to critique.
Fear's work reveals him as benign, even gentle soul. But he was a man driven
by schizophrenia. The disease added an unsettled edge to his good
intentions, and two years ago his suffering drove him to suicide. The
relationship between mental illness and creative endeavour is too obvious to
doubt, though I won't presume to explain it.
I never met Fear. I became aware of him through the repeated marks of
respect other artists pay to his memory - some of his walls remain,
untouched. Memorials to him - 'RIP GHOST' - are written on fences. One
admirer has the word Ghost tattooed, in gothic capitals, on the back of his
neck.
I received an invitation from the Schizophrenia Society and Fear¹s family to
attend an exhibition of prints of 41 prints of the late artist¹s work.
Intrigued, I met with Fear's mother Margaret and her son Alfons in her
modest suburban home.
Two hundred and fifty drawings, the legacy of her talented son¹s turbulent
life, washed over the dining room table. In the past twenty-seven years I
have looked through the portfolios of many talented artists, but I have
never seen such assured drawing. The intensity and humour and uncanny skill
of Hans Fear is inscribed on every page.
The characters and mannerisms of Disney illustrators and Chuck Jones were a
constant inspiration. Shading techniques from the bleak and elaborate
cross-hatched illustrations of Bernie Wrightson offer atmosphere. Dick Tracy
and film noir, Mad Magazine and Terry and the Pirates, and even Gustave
Dore¹s engravings - these are among the sources Fear appropriated.
Not only did he draw the black side, but he created a warm and friendly
imaginary world, a Hobbity sort of place. In his few short years, Fear
developed a sort of philosophy derived from Lord of the Rings.
Heavy metal and gothic fantasy had their effect, though he was more likely
to draw dewy-eye maidens from the world of Japanimation. And throughout, his
art is inspired by the synthesis of graphic modes which is 'head comix'.
Fear seems to have been able to draw down his ideas without hesitation. He
infused his mental images with an inborn dynamic rythmn, which made these
sketches tremendously effective as posters or wall graphics. The technical
complexity of his black and white work - shading and cross hatching and
every other artistic trick - is astounding to me. Inspiration and hard work
can go a long way, but this young man seems to have been born with expertise
at his fingertips.
Fear drew constantly. His brother Alfons showed me a folio of envelopes
decorated Hans and sent to him. They were written on every sort of paper,
and not only illuminated, but decorated and inscribed and embellished with
dazzling complexity. Paper bags, salvaged menu covers, taped-together
compositions which grew and grew - the man was driven to draw.
Hans Fear had access to levels of concentration most of us can't even
imagine. In the margins and backgrounds of many of his drawings -
boisterous, witty, dynamic - he inscribed patterns full of meaning and
variety and almost microscopic. He could go on drawing fields of graphic
energy without wavering for hours at a time. You don't often see drawing of
this intensity.
I expect Fear had no truck with fame and fortune, and he was not comfortable
in social situations. Despite his talents, he felt low self-esteem. When I
suggested that the wider world might enjoy these works, Fear's mother
replied, 'If he knew you were here looking at them and talking about them
this way, he¹d head out for the woods!'.
But I'd like to go on record as saying Hans Fear was an exceptionally
talented draftsman. I hope that somewhere, somehow, he can sense our
appreciation for his work. The ghost of a dead cat, indeed.
And now a moment of education from the B. C. Schizophrenia Society
(384-4225):
Schizophrenia is a medical illness. It is a brain disease, the result of
physical and biochemical changes in the brain.
It is not a 'split personality'. It is not caused by childhood trauma, bad
parenting or poverty. It is not the result of any actions or personal
failures of the individual. One in a hundred Canadians is afflicted with
schizophrenia.
__________________________________________________
Copyright © 2003 Robert Amos
Robert Amos is an artist and art writer who lives in Victoria, B. C.. He can be contacted by
e-mail
and you can view his paintings at
www.robertamos.com